Search: Starring Michael Douglas

Occasionally veers into trite territory and the climax involves a big rousing speech, but it’s all very charming and intelligent.

Small of scale but big of heart, Ant-Man And The Wasp is a light and charming outing for a staggering film juggernaut.

It's okay. Relentlessly okay. Non-stop, wall-to-wall okay.

Ant-Man’s weirdness and goofy tangents mean that it’s definitely on its way to alleviating the fatigue of the larger pictures.

Verhoeven is definitely attempting to emulate The Master here, and is frequently successful.

It is quite something to witness Douglas and Damon embrace the characters quite so authentically.

There’s such a huge story here that it’s astonishing that it hasn’t been put on film before.

This is low-key, nervous, twisted stuff, hinting at anger so deeply ingrained it can only erupt in tight, controlled spurts of rage.

At the core of Adrian Lyne's sumptuously photographed fable is an encounter with real chemistry and a vital balance that makes us question - if only for brief moments - whose side we should be on.

Michael Douglas is electrifying.

There's some good material about how getting hurt changes you as a person, but the problem is its too often trapped underneath overly-trite sentiment and the need to please impatient teen girls.

Soderbergh lays the pretension on thick in flashbacks to the Barcelona job that is clearly at the root of her problems, with slo-mo here and black and white there doing nothing to distract from the fact that it has all the substance of a chocolate bar adv

As an example of comic timing, Brooks is flawless.

Blatently sexist, the film has a centrefold mentality, with violent overtones.

Douglas knows the territory well... he has perfected the iced stare to such a degree you worry in case the wind changes.

Issues of originality aside, Romancing ultimately succeeds thanks to the natural on-screen chemistry between Douglas and Turner.

The film is like a Chinese meal. You enjoy it at the time, but feel empty half an hour later.

As love letters to a friend go, this is one of the funniest and most likeable I’ve seen in a while.

A truly rare opportunity to take a very personal journey into the life of one of Hollywood’s greats.

Stephen Gaghan's script covers the territory with brutal honesty. The actors respond in kind.

There are loads of characters, tonnes of things going on, and little to no reason to invest.

The most intelligent American movie since The Ice Storm to deal with the dissolution of promise, the death of ideals and how creative passion is a form of insanity.

A morality tale where the theme of loyalty looms large, but which also skewers the materialistic Eighties and the yuppie, money-obsessed brace-wearing capitalists who dominated it.

American comedies are going through a bad patch. Wit is in short supply.